Seated female figure (Allegory of Judaism) 1748

This ‘Seated Female Figure’ was made in the mid-18th century by Johann Georg Pinzel, most likely from limewood, and then gilded. The sculpture has a remarkable liveliness that comes from Pinzel’s bold carving technique. You can see the deep cuts and textured surfaces everywhere. The figure’s drapery is particularly dynamic; the way the folds catch the light really enlivens the composition. This contrasts with the smooth, more refined carving of the face and hands. Pinzel likely worked with assistants in his workshop, but the vigorous handling of the wood suggests his personal touch. His skill came from his ability to combine the traditions of woodcarving with the theatrical aesthetics of the Baroque. This was a period where sculpture reached new heights of expression. The gilding serves not just to beautify the work, but also to elevate its status, reflecting the wealth and religious fervor of the time. Ultimately, Pinzel prompts us to reflect on how artistry can transform humble materials into objects of profound cultural meaning.