Portret van Jean Paul by Friedrich August Brückner

Portret van Jean Paul 1795 - 1895

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print, engraving

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portrait

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print

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romanticism

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history-painting

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engraving

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realism

Dimensions height 142 mm, width 100 mm

Curator: This engraving, dating roughly from between 1795 and 1895, presents a portrait of Jean Paul. The artist, Friedrich August Brückner, captured Jean Paul's likeness through meticulous lines on a printed medium. Editor: The initial impact is one of quiet contemplation. The subject seems caught in a moment of introspective thought. There’s a solemnity to the image that, even rendered in a seemingly simple print, evokes a certain emotional depth. Curator: It’s interesting you say that. Jean Paul, born Johann Paul Friedrich Richter, was a German Romantic writer known for his whimsical and sentimental novels. Brückner, as an artist, had the task of capturing not just the external appearance, but the intellectual spirit of this literary figure. Consider the context: portraits in this period served to solidify the public image of prominent individuals. Editor: Absolutely, and one cannot divorce the piece from Romanticism and its engagement with individual feelings. Jean Paul, as a subject, embodies this focus, challenging Enlightenment ideals with explorations of the sublime. This engraving immortalizes an intellectual leader in German society and it will contribute to forming an impression for decades to come. The act of distributing a print also has profound social implications, as it becomes widely available. Curator: Precisely. And prints such as these served a very crucial function in distributing images to the masses at the time. How could an engraver convey that sort of sentimentality or deep thought? What techniques did they use to signal it? Editor: Looking closely, it’s the subtle shading and the detail in the eyes that suggest a rich inner life. There's also an elegance in the composition, in how the oval frames and focuses the subject's gaze on the viewer. His collar, hair and jacket show a very self-aware person too. He knew how his own image was constructed. This is very telling of an intellectual circle of the time. Curator: I concur. By situating "Portret van Jean Paul" within its historical moment, we reveal layers of meaning, social function, artistic technique, and philosophical reflection intertwined in the depiction of this singular individual. Thank you. Editor: A profound demonstration of how art intersects with our complex notions of identity and its performance in social settings. Thank you.

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