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Curator: This is an intriguing anonymous illustration, thought to precede Book 2, residing here at the Harvard Art Museums. The medium appears to be a woodcut, with added color. Editor: It’s striking how the image is divided into distinct registers, almost like a comic strip. The bottom section, with the armed figures, feels particularly dynamic. What can you tell me about the social context of this piece? Curator: Well, the presence of Latin text suggests it was likely produced for an educated, possibly clerical, audience. The depiction of religious figures indicates its devotional purpose, aimed at reinforcing Christian beliefs. Editor: And these earthly figures at the bottom, they seem to be engaged in some kind of dispute or conflict. The armor and weaponry point towards a martial society. Curator: Precisely. The artist's choice of depicting both heavenly and earthly realms speaks to the pervasive influence of religion on all aspects of life during that era. The material production of these woodcuts made religious imagery more accessible. Editor: The contrast between the serene upper registers and the more turbulent lower one is captivating. It’s a vivid snapshot of the socio-religious landscape of its time. I appreciate the artist’s craft and the image's function within its social framework.
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