Waterval te Tjieroek Betong Java by Charles William Meredith van de Velde

Waterval te Tjieroek Betong Java 1838 - 1898

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plein-air, watercolor

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plein-air

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landscape

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oil painting

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watercolor

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orientalism

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watercolour illustration

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genre-painting

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botanical art

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watercolor

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realism

Dimensions height 490 mm, width 715 mm, height 760 mm, width 980 mm

Curator: "Waterval te Tjieroek Betong Java" by Charles William Meredith van de Velde, probably executed sometime between 1838 and 1898. The artist worked in watercolour, seemingly en plein air, to create this Orientalist landscape. Editor: It has this soft, dreamy quality about it. The light feels hazy and the colors are muted; like a memory or a beautiful postcard. Curator: Indeed. Note how van de Velde utilizes watercolor washes to capture the tropical foliage. The application is incredibly skillful and layered. He builds depth using thin, translucent strokes, which give it a vibrant yet soft feel. Considering the plein-air execution, one wonders what the experience was like, the materials he needed to lug in this hot environment. Editor: It's intriguing how he uses light to draw the eye across the painting. From the figures on the bank, past the boat, to the dense jungle. But those figures; what's the interplay between them? A transaction, or simply conversation, near a vital route for people and goods? The river offers more than just transport. Curator: The figures are fascinating. It encourages me to investigate not just van de Velde’s artistic perspective, but also how the local population adapted this waterway for survival and social exchange. What tools did they use, what agreements, perhaps exploitative or supportive ones were involved to ensure the boats could reach the other side? Editor: Exactly. The materiality of the paper, the paints, and van de Velde's specific gestures combine to generate an intimate portrayal. We're both distant viewers and close observers due to the composition and detailing. It's really quite transportive. Curator: I see it that this watercolour encapsulates the intersection of artistry, production, environment and local agency during that time. Now what do you make of its formal structure? Editor: Van de Velde's watercolor truly demonstrates an immersive way to experience another reality and a place in time. A moment is frozen, preserved, and accessible for others to decode in a way they connect to and reflect upon, long after.

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