Portret van een onbekend meisje in bruidskleding, mogelijk voor de eerste communie 1866 - 1883

This photograph was made by Théodore Gedoelst. It's a paper print, likely made using the albumen process, which was popular in the mid-19th century. Notice the sepia tones, created by the chemical reaction of silver salts on the paper. Photography in this era was a complex blend of science and craft. Each print was meticulously produced, demanding skill and precision. The final image is affected by many factors, including the chemicals used, the lighting, and the development process. The tonality is very subtle. The proliferation of photography was, of course, directly tied to industrialisation and capitalism, with studios like Gedoelst's becoming increasingly common. This photograph encapsulates a moment in time, but also reminds us of the labour, technology, and social context that made its creation possible. By looking closely at the materiality of the work, we gain a deeper appreciation for its significance, beyond just the image it portrays.