print, watercolor, ink
water colours
ink paper printed
asian-art
ukiyo-e
japan
personal sketchbook
watercolor
ink
watercolor
calligraphy
Dimensions 7 1/4 x 9 3/4 in. (18.4 x 24.8 cm) (image, sheet)
Kō Sūkoku II created this print of autumn leaves and nuts in Japan, sometime in the 19th century, though the exact date is unknown. The print is replete with traditional Japanese poetic imagery of the season. Sūkoku’s composition of calligraphy and natural forms reminds us of the importance of seasonal change in Japanese art and culture. We see how the artist has placed text alongside the botanical imagery. Calligraphy was a highly valued art form in Japan, closely linked to painting. Both required mastery of brushstroke and ink. This print is an example of the blending of artistic and literary pursuits, reflecting the scholarly ideals of the time. To gain a deeper understanding of this print, we can consult collections of Japanese poetry and historical texts on calligraphy and painting. Through these resources, we come to appreciate art as something deeply embedded in its cultural and institutional context.
Comments
Brought back from an outing in the mountains, these colored leaves and nuts suggest that autumn is settling over the countryside. It is time to view the fall colors. In the Edo period (1603-1867), autumn was also the season for poetry gatherings. The quantity of surimono produced in celebration of autumn was second only to shunkyø (New Years). In addition to colorful leaves, the moon, geese, deer, insects, and a variety of autumnal vegetables and flowers were typical subjects for the poems composed at such gatherings. The painter Kø Sñkoku II was a member of the Hanabusa School, founded by Hanabusa Itchø (1652-1724), a prominent painter who also studied poetry under the master haiku poet Matsuo Bashø (1644-94). Hence, the Hanabusa School artists had close ties with literary salons and poetry associations. Following this tradition, Sñkoku contributed to a number of poetry surimono publications.
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