Vrede van Tesschen 1779 1779

Editor: This is a metal relief sculpture, "Vrede van Tesschen 1779," created in 1779 by Theodorus Victor van Berckel. It seems like it's a commemorative medal. What I find most striking is the way it combines portraiture with allegorical imagery; what's your take? Curator: I see it as a fascinating artifact rooted in a very specific political context. Beyond its aesthetic appeal, this medal embodies the power dynamics and self-representation strategies of its time. The female figure on one side is Maria Theresa of Austria and the lions on the other could be symbolic representation of Imperial strength. Editor: The inscription "MATRI DEUM SALVTARI" and the scene with the seated figure with a globe is quite elaborate and grand. What historical narratives are embedded within this piece? Curator: That inscription translates to "To the Mother of God the Savior". It also refers to Maria Theresa and reflects the perceived role of powerful female figures in maintaining peace, or "PAZ TESSCHINA". Who gets to define ‘peace,’ and on whose terms? Are women truly included in the dialogues around global stability and governance represented by this figure with the globe, or is her image merely a symbolic representation, masking deeper, more complex power structures? Editor: That's a great point. Is there any tension that can be discerned when considering gender, power and governance with this image? Curator: Certainly. By using neoclassical imagery, referencing antiquity, the piece harkens back to certain values from older empires that become the foundation and legitimation of emerging structures. Are there parallels we can draw to our present moment and global structures of power that still operate today? Editor: That gives me a lot to think about! It seems like, at first glance, just a historical object but holds so much historical context of Neoclassical themes and the representation of peace, gender roles, and underlying power dynamics. Thank you for shedding light on this art! Curator: My pleasure. Always remember that even seemingly straightforward historical objects have layers of sociopolitical complexities waiting to be uncovered.