Landscape with view of the Monastery of Zevenburren near Louvain (one of three) 1600 - 1615

This early 17th-century roundel was made by an artist named Collaert, likely somewhere in the Netherlands, using a variety of glass painting techniques. The painted landscape, with its monastery view, is made of pieces of glass joined together with lead cames. The lead forms a strong black outline, which helps to define the forms and add a sense of depth to the composition. We can see clear evidence of glass painting techniques, particularly the use of silver stain, which gives the glass its yellow hue. This process involves applying a silver compound to the surface of the glass and then firing it in a kiln. The heat causes the silver to fuse with the glass, creating a permanent stain. The glass painterly approach is further enhanced by enamel paints, adding finer details like the figures in the foreground. This work invites us to reflect on the skilled craftsmanship of glassmakers and painters during the period. The choice of glass as a medium and the combination of painting techniques all contribute to its unique aesthetic and cultural significance.