This print, titled "Jonge Chinese vrouw, zittend in een landschap," was made by François Boucher. It is made using etching, a printmaking technique with a rich history of skilled traditions. Boucher created the image by coating a metal plate with a waxy, acid-resistant substance, and then scratching an image into it with a needle. When dipped in acid, the exposed lines would bite into the metal, allowing for the application of ink and creation of multiple prints. This was no quick and easy task, the process required planning, skill, and careful execution. In this case, Boucher’s print engages with the aesthetics of "chinoiserie," a style reflecting European fascination with China. Prints like these circulated widely, driving consumer demand for luxury goods. The irony, of course, is that the intensive, specialized labor of European printmakers fueled the appetite for commodities associated with the East. We must consider how these historical processes have imbued the artwork with social and cultural significance.