Oriana 1888

Julian Alden Weir made this etching called 'Oriana', which is now in the Minneapolis Institute of Art. In this work, the artist experiments with the printmaking process, pushing the possibilities of the medium and exploring new methods of mark-making. Weir was associated with the American Impressionist movement in the late 19th century. During this time, many American artists were looking to Europe, and especially France, for inspiration. They sought to adapt the loose brushwork, interest in light, and everyday subject matter of artists such as Monet and Degas to the American context. Here, the contrast between dark and light creates a dramatic effect. Weir's interest in tonalism, a style that emphasized subtle gradations of tone and atmospheric effects, is clear. It is important to note that he was also involved in the institutional art world, serving as president of the National Academy of Design. By looking at Weir's involvement in art institutions and his engagement with European artistic trends, we can better understand how his work fits into the broader cultural landscape of the time.