Landscape by Charles Jacque

Landscape c. 1843

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drawing, print, etching, paper

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drawing

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print

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pen sketch

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etching

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landscape

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paper

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romanticism

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france

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line

Dimensions 91 × 109 mm (plate); 111 × 135 mm (sheet)

Curator: This etching, titled "Landscape," was created by Charles Jacque around 1843 and is currently held at the Art Institute of Chicago. Jacque, a French artist, masterfully employed etching techniques to create this evocative scene. Editor: My first impression? It feels like a half-remembered dream. All delicate scratches and moody stillness. I want to reach out and feel the wind rippling through the water. Curator: That’s a beautiful way to put it. The consistent use of line really captures that dreamlike quality, but, notice, it's not just decorative. The artist is using these almost frantic marks to evoke forms--the mass of the trees, the reflection on the water. There’s an expressive weight carried through this technique. It links to the deeper, romantic yearning to find harmony with nature. Editor: Yes! And those darker masses almost tremble. Are we seeing peaceful communion or nature's untamed, possibly destructive force? I also see a boat adrift. Is it carrying someone towards safety or leading them away from it? Curator: A pertinent observation. The Romanticism of the period, heavily influenced by socio-political turmoil in France, expressed ambivalence through depictions of nature. Think about Caspar David Friedrich’s solitary figures overwhelmed by epic vistas. Editor: Exactly! This piece feels intimate, yet immense at the same time, hinting at bigger forces and our fraught place within it. Its size—roughly the size of my hand—also contributes to that sense of introspection. You almost want to hold it close, like a secret. Curator: I appreciate that sense of the personal. By viewing Jacque's "Landscape" we aren't only observing a picturesque place, but are granted access to his inner world. These prints and drawings from the mid-19th century created more personal links between artists and audiences as printmaking techniques became widespread. Editor: It makes you wonder what personal experience spurred this landscape. Was it a specific memory? A response to the artistic milieu of the time? Whatever it was, it continues to stir the imagination nearly two centuries later. Curator: A truly sublime achievement of artistic sensitivity and enduring appeal.

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