Zittend mannelijk naakt, op de rug gezien (2e prijs 1789) Possibly 1789

Jan Philip Reuthel jr. created this chalk drawing of a nude male figure in 1789, which won second prize. At this time, the naked male body served as both an object of intense artistic study and a symbol of classical ideals. The image is a study in the aesthetics of the male form. The depiction of the male nude is a practice deeply entwined with notions of masculinity and power. In 18th-century Western art, these representations often idealized the male physique. The sitter is a muscular man, seated in a way that displays his body, yet the averted gaze creates a sense of internal reflection rather than a straightforward display of virility. Notice how the artist uses light and shadow to sculpt the figure, emphasizing muscle tone and anatomical accuracy. The drawing may reflect the societal norms and expectations of masculinity during the 18th century. It captures a moment of artistic exploration, but also suggests the complex interplay between the body, identity, and societal values.