J. P. E. Hartmann 1870 - 1882

Editor: So here we have a drawing entitled "J. P. E. Hartmann," created sometime between 1870 and 1882. It appears to be a pencil portrait. I'm really drawn to the artist's technique—the intricate cross-hatching that defines the subject's face and clothing. What do you see in this piece, particularly in terms of its materiality and production? Curator: I'm interested in how the artist uses the pencil – an accessible, mass-produced tool – to create what you might call a traditional portrait. This drawing challenges any hierarchy between "high art" and common materials. We can examine the labor involved in producing this image; the repetitive, almost meditative, process of layering pencil strokes. Think about the societal value placed on portraits versus the humble materials employed here. Editor: That’s an interesting perspective! I hadn't considered the "humbleness" of a pencil in contrast to, say, oil paints for a portrait. So, is the choice of medium making a statement? Curator: Precisely! By utilizing a readily available material like pencil, the artist might be questioning the exclusive nature of art production. This isn't about rare pigments or specialized techniques; it's about skill, observation, and the transformative power of everyday materials. Look closely at the texture of the paper; does it seem mass-produced, or handmade? This too, speaks volumes. What social strata do you imagine J.P.E Hartmann occupies? Does that fit the “humbleness” you describe? Editor: The details seem quite refined, like the paper might not be simply the cheapest available. The contrast really underscores your point about questioning artistic traditions and social standing through this medium. I will certainly think about it this way now! Curator: Glad you do, next time perhaps we can talk about another medium or material!