Basle c. 19th century

Curator: This is "Basle" by Charles Turner, an aquatint depicting the Swiss city. It’s held in the Harvard Art Museums. Editor: The tonal range here is quite striking; the sepia hues lend an almost dreamlike quality to the scene. The water looks still, the mood peaceful. Curator: Aquatint as a medium allowed for the subtle gradations of tone that convey that mood, and facilitated the mass reproduction of picturesque views like this. They were important for circulating ideas about place and nation. Editor: Yes, and the architecture is carefully rendered with attention to line and form, particularly the spire reaching upwards, creating a visual dialogue with the broad sky. Curator: Indeed, there's a calculated harmony. Turner’s prints helped shape perceptions of European cities for a growing middle class eager for travel and culture. Editor: It’s a very controlled atmosphere then. I notice that despite the boats and figures, there is still a distinct sense of calm. Curator: Absolutely. This print offers insights into the commerce of art and the construction of cultural identity in the 19th century. Editor: I agree. It's really interesting to see the image and then think of the history behind its creation and reception.