Eagle 1935 - 1942

Editor: Here we have "Eagle," a drawing made with pencil or graphite between 1935 and 1942, by Bernard Westmacott. It feels very architectural, like a study for a sculpture. I'm particularly struck by how solid and monumental the eagle seems, even in a drawing. What stands out to you when you look at it? Curator: The wonderful sense of weight and presence you picked up on! But also how much Westmacott seemed to be fascinated by this bird –almost obsessed. He gives us not just a finished piece but also hints at the artistic process itself, those almost ghostly studies beneath. Like a composer sharing discarded melodies. Does that make sense? Editor: Absolutely, I see what you mean! The sketches almost feel like he's mapping out the eagle, trying to capture its essence from different angles. What about the details? He has paid close attention to its plumage and to its carved support. Curator: The plumage… Yes, like loving brushstrokes almost. I can nearly *feel* the texture through his marks. To me it's about permanence and impermanence intertwined. Graphite fades and smudges so easily and yet here's an image of solid unshakeable… bird-ness. What do you think? Too romantic a notion? Editor: Not at all! I love the idea of impermanence in a medium depicting something so powerful. Maybe he’s suggesting even symbols of strength eventually fade, if not properly taken care of! Curator: Beautiful! It gives it all a new, vital resonance, doesn’t it? Almost makes me want to adopt the fellow, and give it the most wonderful home, forever and a day. Editor: It's definitely a piece that makes you think. Thanks for sharing that perspective! I'll look at sketches in a new light now.