Anna O'Keefe, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890
drawing, print, photography
portrait
drawing
photography
portrait drawing
watercolor
Dimensions Sheet: 2 1/2 × 1 7/16 in. (6.4 × 3.7 cm)
Editor: Here we have "Anna O'Keefe" from the Actresses series, circa 1890, produced by Kinney Brothers, it appears to be a photograph that has been altered, maybe a drawing or a print over it. What is interesting is it was created to promote Sweet Caporal Cigarettes. How do you interpret this image considering its origin as tobacco advertisement? Curator: From a materialist perspective, this piece offers a compelling lens through which to view late 19th-century commodity culture. The convergence of photography, drawing or printmaking, and advertising within the 'Actresses' series speaks volumes. This isn’t simply about representation; it's about the *production* of desire through specific material processes and its entanglement with the expanding marketplace. We see a synthesis between high and low art in a commercial setting, breaking the artistic boundaries in that period. Editor: So, you're saying it's not just a portrait, but an object born from very specific conditions. Does this kind of commercial context change our understanding of the artistic skill involved? Curator: Precisely! The labor involved in the different forms of representation – the photographic process itself, the over-painting or print work to it, the distribution through Sweet Caporal Cigarettes packaging – are all crucial. By examining these means of production, and mass distribution, we can re-evaluate traditional notions of authorship and artistic skill in relation to commercial imperative. What's Anna O'Keefe role in it all, aside from being portrayed? How did the Kinney Brothers selected her, and how was her persona fabricated or enhanced in that era? Editor: That’s really fascinating. I hadn’t considered how much the social context of advertising shapes the artistic decisions themselves, by turning Anna O'Keefe into a commercial commodity to sell cigarettes. Thank you. Curator: The layers of creation and intent definitely add an interesting layer when contemplating this "Anna O'Keefe" print. It’s all about critically investigating those conditions and their impact on art.
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