Executie van Salcedo die samen met Francesco Baza de prins van Oranje en de hertog van Anjou wilde vermoorden, 1582 by Anonymous

Executie van Salcedo die samen met Francesco Baza de prins van Oranje en de hertog van Anjou wilde vermoorden, 1582 1613 - 1615

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print, intaglio, pen, engraving

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narrative-art

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baroque

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print

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pen illustration

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pen sketch

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intaglio

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old engraving style

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ink line art

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line

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pen

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history-painting

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engraving

Dimensions height 122 mm, width 168 mm

Editor: This is a print from between 1613 and 1615, titled "Executie van Salcedo die samen met Francesco Baza de prins van Oranje en de hertog van Anjou wilde vermoorden, 1582," now at the Rijksmuseum. The artist is anonymous. It's a rather gruesome depiction of an execution! All those figures packed tightly together create quite an unsettling feeling. How do you interpret this work? Curator: This image certainly carries the weight of its history. Think about the symbols being presented here – the horses pulling apart the body, the crowd as witness, the burning pyre… This isn’t just about depicting a gruesome event. The artist, even anonymously, has invoked a powerful language of public spectacle and the symbolic destruction of a traitor. Editor: So the arrangement is not only meant to show history, but has layers of meaning? Curator: Precisely! The image plays upon the anxieties of the time. Consider the period's religious and political upheavals. What does this spectacle of justice communicate about power, authority, and the consequences of treason? Notice how Salcedo is centrally placed but completely vulnerable. Editor: It’s a complete destruction of the person, beyond just death. Almost like a warning. Curator: Yes! That central placement, with all eyes on him, emphasizes the intent to publicly shame. Ask yourself, what purpose did these prints serve beyond documenting an event? Were they tools of propaganda, reinforcing the power of the ruling elite? Or a cautionary symbol of what happens if one commits such an act against power? Editor: I never considered it in that light before, the power of images being circulated as reminders. Curator: Visual symbols possess remarkable longevity. We must contemplate how this image might have resonated with audiences then, and even now, as we view its violent symbolism. Editor: I'll definitely look at images of this kind differently now, considering the potent symbols and how they spoke, and continue to speak, across time.

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