Dimensions: 25 13/16 x 15 1/2 in. (65.56 x 39.37 cm) (image)
Copyright: Public Domain
Autumnal Colors Among Streams and Mountains was painted by Jin Yongxi in the early 18th century, using ink and colors on paper. Here, the artist skillfully manipulates ink and water to evoke the textures of stone, foliage, and water. The absorptive nature of the paper allows for subtle gradations of tone, particularly in the depiction of the monumental mountains that dominate the composition. The process of building up layers of ink creates depth and atmosphere, guiding the viewer's eye through the landscape. In this work, Jin Yongxi showcases his mastery of traditional Chinese painting techniques, steeped in centuries of cultural and artistic heritage. Yet we might also consider the wider social context in which this painting was made. Landscape painting was often commissioned by wealthy patrons as a symbol of status and refinement, reflecting their appreciation for nature and the arts. By understanding the materials, making, and context of Autumnal Colors Among Streams and Mountains, we can appreciate the artistry and cultural significance of Jin Yongxi's creation.
Jin Yongxi, a literati painter from Suzhou, was a pupil of the orthodox master Wang Yuanqi (1642-1715). Each leaf of this exceptionally large album is inspired by a past master of the Song (960-1279) or Yuan (1280-1368) literati tradition. Jin has inscribed the name of the artist that inspired each of his compositions. Although Jin's paintings vary considerably from their sources, they do capture the essential style associated with the famous painters he emulates. While working in Beijing, Jin apparently had access to the imperial collection which accounts for his broad and accurate knowledge of historical styles of painting. The Qinglai pavilion in which the artist painted this album likely belonged go the literatus, Gao Shiqi (1645-1703), a high official and secretary to the emperor. A major collector, Gao may in fact have commissioned the album.
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