De verdrijving van de verloren zoon c. 1540 - 1550

Cornelis Anthonisz. created this colored woodcut, "The Expulsion of the Prodigal Son," in the Netherlands during the first half of the 16th century. This print presents a religious parable within a recognizable social context. The image juxtaposes classical architectural forms with scenes of everyday life. On the left, the "School of Satan" features figures engaged in various vices, while to the right, we see the consequences of such behavior. The prodigal son is driven away from society. Anthonisz. seems to be commenting on the social structures of his time by using religious narratives to critique moral failings. Historical records, such as city archives, guild records, and religious pamphlets, can provide valuable context. By researching the social and economic conditions of 16th-century Netherlands, we can better understand how the artist’s work reflects and critiques the world around him. This approach allows us to interpret art not just as aesthetic objects, but as documents of social and institutional history.