Pero zoogt de geketende Cimon in de gevangenis 1583 - 1650

This is a copper engraving made around 1600 by Wierix, depicting a scene of filial piety, where Pero breastfeeds her imprisoned father, Cimon. The chains binding Cimon are a stark symbol of his captivity, yet they also create a visual link to Pero, emphasizing her commitment. This act of a daughter nourishing her father appears in ancient Roman texts and resurfaces throughout art history. We see echoes of it in medieval manuscripts and Renaissance paintings, each time shifting slightly in meaning. In some interpretations, it underscores familial duty, in others, it challenges social norms. Consider the psychological weight of this image: the reversal of roles, the raw emotionality. It's a profound commentary on human relationships, tapping into our collective memories and subconscious understanding of sacrifice and devotion. The story continues to resurface, proving the symbol's timeless grip on the human psyche.