print, engraving
portrait
baroque
old engraving style
figuration
line
history-painting
engraving
Dimensions height 265 mm, width 158 mm
Curator: This print, created by Romeyn de Hooghe in 1701, is entitled "Portret van Menno Simons". It is currently held in the collection of the Rijksmuseum. Editor: It strikes me as intensely devotional, almost theatrical, with the figure looming large and a very Baroque sense of drama in the line work. Curator: Indeed. Note how the artist uses tightly controlled line work to convey form and texture in the face and beard of Simons, contrasted with the looser strokes used to delineate the landscape background. This highlights the figure's spiritual presence. Editor: But consider, too, the context: this work emerges from a history of religious persecution. We see Menno Simons, the Anabaptist leader, officiating what appears to be a baptism, while armed figures look on from above. Curator: Precisely, these textural contrasts bring tension to the work. See the contrast in values in the landscape to emphasize depth—the placement and graduation creates atmosphere that mirrors the dramatic theme of spiritual renewal amid oppression. Editor: I appreciate your formalism, but must press on the very specific socio-political context. Simon's followers, the Mennonites, faced immense pressure. This image therefore functions not merely as a portrait but as an act of historical witnessing. Curator: Nevertheless, it also serves to distill a philosophical idea. Simons is literally presented as a monumental figure whose values literally stand apart from an implied structure and are rooted firmly on an implied mass in the form of a ground or alter. The weight and gravity creates a stable structure and elevates it to a conceptual place in history and consciousness. Editor: Agreed. But one can't extract that conceptual and constructed positionality from its violent and troubled creation and history of those that made those claims in practice. This creates meaning about place, authority and being. Curator: A powerful confluence of form and function. Editor: Absolutely. By paying attention to form and socio-historical positionality, we come closer to the rich and contradictory nature of human narratives in their complexity and the impact on those lives.
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