Deel van het fries van het Parthenon in Athene, afgebeeld twee ruiters by G. Arosa et Cie

Deel van het fries van het Parthenon in Athene, afgebeeld twee ruiters before 1868

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relief, sculpture, marble

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greek-and-roman-art

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relief

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landscape

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classical-realism

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figuration

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sculpture

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history-painting

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marble

Dimensions: height 232 mm, width 325 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have a photograph of a section of the Parthenon frieze in Athens, depicting two riders. It was created before 1868. What strikes me most is the dynamic movement captured in this marble relief, even in this early photograph. What can you tell me about the symbolism behind this? Curator: The Parthenon frieze is rife with symbolism, isn’t it? As a continuous band running around the cella, it presented a procession. Consider what processions mean in the context of cultural memory. The riders may represent the Athenian cavalry, but beyond that, they evoke a sense of civic pride, order, and idealized humanity. What elements do you see reinforcing that ideal? Editor: Well, the horses and riders seem almost perfectly formed. There's a clear sense of rhythm and balance. Is there any consensus about what event the frieze is depicting? Curator: Many believe it depicts the Panathenaic procession, the festival celebrating Athena’s birthday. Think about that – a yearly renewal, a communal reaffirmation of Athenian identity and values, coded and portrayed. Note how the idealized figures also perform ritual action. Do you see a connection to later artworks employing similar symbolism? Editor: I do now that you point it out! I’m seeing echoes in other state art. This image acts as an important cultural link, a memory revived through form. Thanks! Curator: Indeed, a powerful example of how visual symbols perpetuate meaning across centuries. Understanding such images requires unpacking layers of historical context and symbolic language. A potent demonstration!

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