Dimensions: image: 302 x 210 mm
Copyright: © The estate of Ian Breakwell | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This untitled work by Ian Breakwell dates to August 1973, and combines photography and text. Editor: It feels strangely melancholic, almost like a decaying memory fragment rendered in muted tones. Curator: Breakwell was deeply interested in how images circulate, and how their meaning changes through mass media and popular culture. This piece reflects that, doesn't it? Editor: Absolutely. I find myself focusing on the materiality of the work. It is an exploration of process, of image manipulation and reproduction, isn’t it? The blurring and layering suggest a commentary on the unreliability of representation. Curator: Indeed. The combination of text and image also speaks to Breakwell's engagement with the documentary impulse, and its inherent subjectivity. Editor: Well, thinking about the artist's processes allows me to better comprehend the social context of that period, a period of technological advancement, I would say. Curator: I agree. The layered effect and the choice of materials really emphasizes the artwork's message. Editor: It makes you consider how artists and consumers engage with a picture. Curator: Precisely. Editor: I find the piece deeply compelling.
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This series of screenprints is based on pages from diaries the artist has kept since 1965. They include photos, magazine cuttings and drawings as well as writing. Breakwell said his diaries record 'the side-events of daily life, by turns mundane, curious, bleak, erotic, tender, vicious, cunning, stupid, ambiguous, absurd, as observed by a personal witness'. Gallery label, September 2004