Vuursteen pistool by Godefroi (II) Corbeau

Vuursteen pistool 1717 - 1750

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3d sculpting

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3d printed part

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white clean appearance

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sculpture

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sculptural image

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unrealistic statue

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3d shape

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framed image

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mid-section and head portrait

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statue

Dimensions length 38.5 cm, length 23.4 cm, calibre 16 mm

Curator: This flintlock pistol, attributed to Godefroi (II) Corbeau, dates from 1717 to 1750. You can see it on display here at the Rijksmuseum. Editor: The immediate impression is one of elegant danger. Its slender form and ornate details feel almost… contradictory, like a beautiful serpent. Curator: Firearms of this period served multiple roles. They were obviously weapons, tools for hunting, or asserting power, but also potent symbols of status. A piece like this reveals much about the owner’s social standing and self-image. Editor: Absolutely. The serpentine shape is not accidental. Even the flash of gold at the end of the grip hints at coiled energy. It speaks of swift action, perhaps cunning and stealth, depending on the user's personality. Is there any maker's mark present? Curator: We know of Godefroi Corbeau, an acclaimed gunsmith in Maastricht during this period. Such weapons were highly prized luxury items. Considering that the firearm manufacture was extremely controlled through the guilds, owning one signals one's place in the social hierarchy. Editor: Luxury… but with such focused aggression implied in the form! The grip, tailored to the hand. One has to imagine this pistol, at rest, on a belt or shelf - poised. Curator: Think about how regulated firearms were within emerging states. Who has the right to wield such power becomes the focus of political contestations. Ownership of weapons becomes both a status marker and the material basis for further solidifying one's place within a violently hierarchical social structure. Editor: The psychology of ownership must be powerful, as the object represents that control and protection. What I find especially intriguing here is how an object created for taking life can be made so deliberately attractive. It challenges our notion that these two elements are antithetical. Curator: Reflecting on this, the gun’s dual nature reveals its complicated history: not just of craftsmanship or combat, but of the social theater in which it played a starring role. Editor: Exactly. It's a reminder that symbols can carry immense weight, regardless of their function. A beautiful, yet undeniably deadly, piece of history.

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