Landskab med en række træer by Johan Thomas Lundbye

Landskab med en række træer 1843

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drawing, print, paper, ink

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drawing

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print

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landscape

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paper

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ink

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romanticism

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line

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realism

Dimensions 83 mm (height) x 181 mm (width) (billedmaal)

Curator: Looking at Johan Thomas Lundbye's "Landscape with a Row of Trees" from 1843, a print made with ink on paper, I’m immediately struck by its simplicity, almost like a preliminary sketch. There’s a quietness, a kind of unassuming beauty in the depiction of this row of trees. What do you make of it? Editor: It definitely feels like a very intimate moment captured. How does your background inform your interpretation? Curator: Well, considering a materialist approach, I find myself drawn to the labour inherent in creating this print. Think about the process: Lundbye would have first conceptualized the scene, then meticulously transferred it onto the printing plate through a process requiring immense skill. We see a landscape transformed by human intervention; even nature becomes a product shaped by artistic labor. Do you see that reflected in the composition itself? Editor: I do! It makes me consider the relationship between the natural landscape and the industrialized processes used to represent it. The clean lines created with ink feel somewhat divorced from the messy reality of nature, yet they attempt to capture its essence. Curator: Precisely! And the social context matters too. Romanticism, prevalent at the time, often idealized nature. But here, Lundbye’s direct and somewhat unadorned approach feels less about idealization and more about… Editor: …observation? Curator: Exactly! It suggests a closer, more studied relationship with the physical environment and its use for farming. By emphasizing the materiality of the print itself – the ink, the paper, the labour – we challenge that Romantic tendency toward ethereal abstraction and ground it in something more tangible. How does that change your perception of the work? Editor: It makes me appreciate the artist’s craftsmanship and how their choice of materials informs our understanding of their subject. It is as though nature and method co-mingle to deepen appreciation. Curator: Absolutely. It's a valuable lesson about the art and materials within a moment in history.

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