Reproduction of Mycenaean Sword 19th-20th century

Editor: So, this is a Reproduction of a Mycenaean Sword, and the artist is Emile Gilliéron or his son. It's at the Harvard Art Museums. It's striking how the materials contrast, especially the dark blade against the lighter hilt. What can you tell me about its construction and purpose? Curator: Well, it’s a reproduction, right? Therefore, the social context of its *making* is key. Who was consuming these reproductions and why? Consider it less as a weapon and more as a commodity. The materials are chosen for their perceived value and aesthetic appeal to *that* market. Editor: So, the original sword was a tool of power and violence, but this version is about the power of… collecting? Curator: Precisely. Its value isn't in battle, but in its symbolic capital. It signifies a connection to the past, repackaged for consumption. Who gets to own history, and how? That’s the real question here. Editor: That shifts my perspective completely. I was stuck on the idea of ancient warriors, but it’s more about modern collecting. Curator: Right, and thinking about the labor involved in crafting both the original and this reproduction adds another layer. How does the process affect our understanding? Editor: Fascinating. Thanks for highlighting the commodity aspect; I'll definitely consider that going forward.