Hoekfontein before 1682

Jean Lepautre created this print, titled 'Hoekfontein', sometime in the 17th century. Lepautre was a designer and engraver, central to the development of the Louis XIV style of French Baroque art. Here we see his vision of architecture and decoration, reflecting the period's fascination with classical antiquity, while also mirroring the social hierarchies of the era. Consider the figures in the image: some are relaxing by the fountain, while others are working or on horseback. Lepautre presents a world where leisure and labor coexist, but are clearly divided along class lines. It’s interesting to think about how public spaces like this fountain were used in the 17th century, both as places of gathering and displays of power. What did it mean to be seen in such a place, and how might it have shaped one’s sense of belonging or exclusion? This print invites us to reflect on the ways in which architecture and design can embody and reinforce social structures, while also offering spaces for human interaction and experience.