Untitled [New Orleans and the Gulf Coast, 2005] by Richard Misrach

Untitled [New Orleans and the Gulf Coast, 2005] Possibly 2005 - 2010

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Dimensions: image: 27.62 x 36.83 cm (10 7/8 x 14 1/2 in.) sheet: 28.89 x 38.1 cm (11 3/8 x 15 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: This is Richard Misrach's photograph, "Untitled [New Orleans and the Gulf Coast, 2005]," believed to have been taken between 2005 and 2010. What’s your initial response? Editor: Stark. The image, with its muted tones, immediately evokes a sense of desolation and vulnerability. There’s something profoundly unsettling about the sign within the ravaged landscape. Curator: Indeed. The composition relies on this harsh juxtaposition. Notice how the washed-out palette emphasizes the flatness of the scene, drawing attention to the brutal horizontality. The texture is gritty and unsettling. Editor: The sign acts as a grim focal point. The stark message, “Looters will be shot. Survivors Shot Again,” speaks volumes about the breakdown of social order in the wake of disaster. It becomes a chilling symbol of survival. The word "Again" implies such repetition, such dehumanization. Curator: Precisely. And the materiality of the sign—roughly hewn wood, hastily painted—contributes to its raw, unfiltered power. It resists refinement, refusing any kind of formal transcendence of horror. Editor: The placement of the sign, beneath that decaying tree, laden with loss...The sign is thus interwoven into the narrative, or maybe it's a desperate marker, warning of unseen dangers in an uprooted community. Curator: I concur. It acts almost as an indexical marker to what haunts this region: social inequality and vulnerability amplified in a time of acute devastation. The formal elements are there only in order to highlight an essential cruelty. Editor: It is that intersection of the symbol and its location, it is truly thought-provoking. I am considering not only the literal impact of environmental devastation but its lasting impression. Curator: It’s a convergence of material fact and emotional truth. We see form acting in service of content. Editor: I feel that its symbols give it its real power: we see what is meant by the real human cost when communities become unrooted. Curator: A valuable reminder to consider art both aesthetically and in terms of raw human meaning.

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