A soldier on horseback holding a rope that secures an enslaved indigenous man who is balancing a basket on his head; from a group of drawings depicting Peruvian dress by Francisco (Pancho) Fierro

A soldier on horseback holding a rope that secures an enslaved indigenous man who is balancing a basket on his head; from a group of drawings depicting Peruvian dress 1843 - 1853

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drawing, coloured-pencil, print

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portrait

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drawing

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coloured-pencil

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print

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caricature

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caricature

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figuration

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coloured pencil

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romanticism

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orientalism

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portrait drawing

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history-painting

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realism

Dimensions: Sheet: 8 11/16 × 8 1/16 in. (22 × 20.5 cm)

Copyright: Public Domain

Curator: Let's turn our attention to a piece attributed to Francisco Fierro, dating from 1843 to 1853. It's rendered in colored pencil, depicting a soldier on horseback with a tethered Indigenous man carrying a loaded basket on his head. Editor: Immediately, I notice the sharp contrast in visual weight. The soldier and horse are all cool grays and blues, creating this smooth, almost aloof surface, while the man strains, the angle of his posture forming an undeniable diagonal stress line. Curator: Indeed, that dichotomy speaks volumes. The horse, a symbol of power and conquest, dwarfs the burdened figure. Fierro masterfully employs the European equestrian portrait tradition to convey colonial dominance in Peru. Editor: Absolutely. And the very subtle use of color plays into it too. Notice the almost doll-like rendering of the soldier’s face – there's a passivity there, especially when compared to the implied effort in the other figure. Even the basket’s sharp contents feel… illustrative of violence rather than merely descriptive. Curator: That reading is substantiated by the wider context of post-independence Peru, fraught with socio-economic imbalances inherited from Spanish rule. Fierro was known for capturing the realities of Lima's social strata, frequently caricaturing authority figures. The soldier is almost like an emblem of the status quo. Editor: Caricature is the mot juste. It pushes past just "representation" into critique through visual metaphor. The rigidity of the soldier versus the forced suppleness of the burdened man underpins a sophisticated condemnation of that power dynamic. Curator: And while seemingly straightforward, Fierro’s skillful handling of color and composition directs the viewer to question who benefits and who suffers under this particular social arrangement, fostering collective memory. It's a powerful visual document that keeps the memory alive. Editor: Precisely. We peel back those layers of formalism to reveal the socio-political sinews. It transforms a simple drawing into a sharp statement of power and endurance.

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