Schepen in de branding 1887 - 1889

Curator: Looking at Carel Nicolaas Storm van 's-Gravesande’s “Schepen in de branding,” or "Ships in the Surf," created between 1887 and 1889, it’s hard not to immediately feel the power of nature. Editor: It’s very grey, isn't it? A turbulent sky and crashing waves dominate the composition, conveying a sense of foreboding, almost melancholy, despite the impressionistic style. I wonder about the process here. Curator: Storm van 's-Gravesande was deeply influenced by the Hague School and this etching reflects their interest in depicting everyday scenes, often emphasizing the relationship between humanity and its environment. Notice how the small ships appear fragile against the immensity of the sea. He presented often through the Hague Art Circle. Editor: Etching as a medium really lends itself to this subject matter. I imagine the artist carefully controlling the acid to achieve those nuanced shades of gray. What kind of press did he use? Did he print these himself? It is fascinating to think about the artist as both creator and producer. Was he influenced by developments in printmaking at the time? Curator: Absolutely. The late 19th century saw a boom in printmaking. Artists were experimenting and engaging with these techniques, though they also were still exhibiting paintings and participating in established salons, or becoming members in artist’s societies like Arti et Amicitiae. Prints allowed wider access to art, reaching new audiences, especially in burgeoning industrial cities. It was key to creating visibility for new trends in art. Editor: Yes, that's fascinating to me! We consider mass production, distribution, access and the very economics of art and culture. And the materiality, how the quality of paper impacts the impression of the scene itself… Curator: The etching perfectly captures the fleeting atmosphere, so characteristic of impressionism and landscape painting, though I think knowing that printmaking techniques can echo industrial manufacturing processes makes it extra poignant. Editor: I agree. These textures and light draw you in and suddenly make you consider how the image was made and for whom. Curator: Reflecting on "Schepen in de branding", one sees art's enduring dialogue with nature and technology, shaped by social trends. Editor: For me, it highlights how printmaking offers an insightful lens to understand not only artistic skill, but production and consumption and society.