September 1896

Amaldus Nielsen painted 'September' with oil on canvas, a traditional choice. What’s interesting here is the handling of that medium. The painting isn’t about hyperrealism; it’s more about the impression of light on water. The brushstrokes are visible, and this directness actually enhances the atmospheric quality of the piece. The visible texture of the paint lends a tactile quality to the water and sky, making them seem almost tangible. Think of it: Nielsen applied each stroke deliberately to capture the ephemeral moment. There's a lot of labor involved in creating this kind of atmospheric effect. It may seem quick, but it required careful observation and skillful execution. Nielsen had to consider the viscosity and drying time of the oil paint, and how the colors would blend together. The painting is a good reminder that even in seemingly simple landscapes, there's a deep engagement with the materiality of paint and the labor involved in its application. By looking closely at the how, we can appreciate the what all the more.