De planeet Mercurius en zijn invloed op de wereld by Johann Sadeler I

De planeet Mercurius en zijn invloed op de wereld 1585

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print, engraving

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allegory

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pen drawing

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print

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pen illustration

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old engraving style

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form

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line

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cityscape

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history-painting

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engraving

Dimensions height 240 mm, width 248 mm

Curator: Here we have a 1585 engraving by Johann Sadeler I, titled "De planeet Mercurius en zijn invloed op de wereld," or "The planet Mercury and its influence on the world." It's part of the Rijksmuseum collection. Editor: It looks like an antique fever dream. Mercury in his chariot pulled by what look like giant crows soaring above a painstakingly detailed cityscape. It’s surreal, crammed with detail, but unsettlingly detached too. Curator: That unsettling feeling comes from the combination of allegory and realism. We see Mercury, god of commerce, eloquence, and travel, quite literally overseeing and influencing the human realm below. He holds the caduceus, a symbol of balance and negotiation. Editor: The way that cityscape sprawls out! The detail reminds me of intricate architectural models. There are ships unloading goods, tiny figures bustling about, the whole human comedy unfolding down there while Mercury’s in his own godlike bubble up above. He looks pretty unconcerned, actually. Curator: This engraving embodies Renaissance Neoplatonism, suggesting a hierarchical connection between the celestial and earthly realms. Each element, from the zodiac symbols in the corners to the meticulously rendered buildings, speaks to Mercury's pervasive influence. Look at how the artist uses line work to give a feeling of distance to the various realms from above to the land with merchant activity and the urban cityscape. Editor: So it’s like… Mercury’s pulling the strings? It makes me think about fate, determinism, and how much free will we actually have down here in the ‘human comedy’ as I call it. All those ships and figures, just going about their lives while a god dictates the narrative above them. A bit grim, when you think about it! Curator: I see it as less grim and more a statement about the interconnectedness of all things. The Renaissance was obsessed with understanding those links, with seeing patterns in the universe. Editor: I can get with that… seeing this artwork you do sense a grand cosmic dance! So even though Mercury looks detached, the artwork suggests he is also deeply responsible for maintaining order and keeping this worldly stage in motion. Curator: Precisely! This image provides a powerful commentary on both earthly activity and unseen celestial mechanics. Editor: Yeah, and the best kind of art is not just beautiful on the surface, but stirs the cauldron in your brain a bit!

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