Salomo ontvangt de koningin van Seba by Bernard Picart

Salomo ontvangt de koningin van Seba 1683 - 1733

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print, engraving

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baroque

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print

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figuration

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line

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history-painting

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academic-art

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engraving

Dimensions height 178 mm, width 186 mm

Curator: This engraving, created sometime between 1683 and 1733, is titled "Salomo ontvangt de koningin van Seba" or "Solomon Receiving the Queen of Sheba." The artist is Bernard Picart. It's a marvel of line work, isn’t it? Editor: My first impression is all stark contrasts and formality. The rigid lines create such a powerful sense of order, yet it feels somewhat... distant, perhaps? It’s beautiful, undeniably, but there's an almost sterile quality to it. Curator: It’s interesting you say that. Picart was really embracing the academic style here. He focused on historical accuracy and idealized forms. The subject matter, the Queen of Sheba's visit, was a popular theme, ripe with possibilities for displaying opulence and power, don't you think? I sense Picart was going for grandeur here. Editor: Grandeur, certainly. But I also see it as an example of how power structures were often reinforced through art. Consider the exoticism inherent in depicting a Black queen, Sheba, journeying to meet the white, male King Solomon. It perpetuates a hierarchical narrative, doesn't it? The emphasis is always on the “civilized” court receiving the "foreign" dignitary. Curator: A point well taken. And, considering this piece's baroque style, one wonders, doesn’t one, if he was really interested in historical accuracy, or just the spectacle of wealth and the dynamics between different peoples of that time, and a king renowned for wisdom? There's a real sense of...theater, a carefully staged event for our viewing pleasure. Editor: Exactly. The details matter, too. Note how the queen is rendered—subservient almost in posture. The composition centers Solomon; the queen is the “other,” visually positioned as entering into his world. What does this choice, seemingly a minor element, convey about the societal biases inherent in portraying such meetings, even biblical ones? Curator: Yes. So, it's a pretty fascinating image, isn’t it? A look at royal reception, a glimpse at another's customs... it’s quite the layered statement by Picart. Editor: A valuable lens, indeed. It allows us to reflect on the politics embedded in seemingly straightforward historical representations, the ever present legacy of the meeting between Solomon and Sheba.

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