Terechtstelling van Lodewijk XVI 1794

Editor: This medal, “Execution of Louis XVI,” dates from 1794, and is by Friedrich Wilhelm Loos. It's crafted from metal with engraving. The depiction feels…stark and commemorative, almost like a coin used to process grief. What stylistic choices stand out to you? Curator: Initially, the bilateral symmetry strikes the eye, yet reveals a dynamic tension. Note the profile of Louis XVI on the obverse versus the allegorical figure of Justice or Memory on the reverse. Each side, while complete in itself, gains resonance from its opposition. The composition seems carefully balanced between portrait and allegory. The materiality, the very coldness of the metal, further emphasizes the weight of the historical event it portrays. How do the inscribed phrases interact with these visual components? Editor: On one side, text surrounds King Louis' face. The reverse is encircled by more script alongside an engraving of Justice seated beside what I believe says 'Louis XVI'. They almost serve as frames, providing a clear indication as to the subject matter depicted and ascribing a motivation. Curator: Precisely. Now, observe the quality of line. The sharp, precise engraving lends the medal a distinctly Neoclassical feel. The artist’s command over such a rigid medium allows a great degree of expressiveness in rendering form and texture. Can you identify elements that give it that expressiveness? Editor: The flowing lines of the draped figure contrast to create the shape of her flowing garments. This contrasts well with the clear crisp image of Louis' face. Curator: Indeed. It prompts us to question: Does the material enhance the themes, or merely serve them? Editor: I initially focused on the historical event. But seeing how form and material intertwine opens a whole new level of appreciation for the artistic skill here. Curator: Agreed. Examining Loos's work using formalism sheds light on the artistic intentions and techniques, making visible aspects we might otherwise overlook.