The Actor Matsumoto Koshiro 3rd in an Unidentified Role 1759 - 1779

Editor: Here we have Ippitsusai Bunchō’s print, "The Actor Matsumoto Koshiro 3rd in an Unidentified Role," dating roughly from 1759 to 1779. The material is listed as print. What a fascinating portrait! His costume feels so ornate. What jumps out to you? Curator: What intrigues me is the economy of line. Consider the planes of the face, how the artist uses line to describe both the form and the dramatic expression. Note, also, how those angular lines in the face find resonance in the iris motifs of the garment and in the geometric patterning along the sleeves. The visual effect of those lines is quite dynamic. What do you think of the coloring? Editor: I think it really holds the composition together. It also suggests a somber tone, especially contrasted with the lively lines and iris patterns you described. I can see how this would fit into the Ukiyo-e tradition with that strong central figure and focus on line. What’s your interpretation of the actor's pose and expression? Curator: Observe the upward gaze, almost a haughty expression, certainly indicative of a role imbued with power. And, notice the posture, too, how the actor pulls his shoulders back and tenses his neck. All the tension is held and framed within that rich ochre robe, heightening its formal impact. I’d argue the pose enhances the graphic nature of the print. Editor: This is great! So you’re saying the artist uses color, line, and even the figure’s pose, to amplify the overall graphic and formal qualities? Curator: Precisely. It all comes down to form, doesn’t it? And in this work, form truly dictates content. Editor: Definitely given me a lot to think about in how the details create such a forceful artwork! Thanks for your insights.