Madonna and Child Sitting by a Broken Tree c. 17th century

Curator: Claude Mellan's print, Madonna and Child Sitting by a Broken Tree, presents the iconic scene through the lens of skilled draftsmanship. I notice the dominance of the single line in creating shading and form. What strikes you? Editor: It’s strangely unsettling, isn't it? The Madonna seems so weary, almost collapsing under the weight of… well, everything. The child looks out with almost a sadness. Curator: The broken tree and barren landscape contribute to that feeling. Mellan likely intended to evoke a sense of fragility and the burdens faced by the Holy Family. Editor: It’s a far cry from the idealized Renaissance depictions. The print's somberness suggests vulnerability. And yet it is compelling. Curator: Indeed. Mellan's print provides insight into the social and material circumstances of his period, and presents a compelling narrative. Editor: I find myself reflecting on the human cost that is required to create something like this. What a haunting yet powerful image.