Twee paarden in een landschap met koeien by Leo Gestel

Twee paarden in een landschap met koeien 1891 - 1941

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drawing, pencil

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drawing

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toned paper

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light pencil work

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pen sketch

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pencil sketch

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landscape

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cartoon sketch

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figuration

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personal sketchbook

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ink drawing experimentation

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pen-ink sketch

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pencil

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horse

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sketchbook drawing

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sketchbook art

Dimensions height 181 mm, width 204 mm

Editor: Here we have Leo Gestel’s "Two Horses in a Landscape with Cows," a drawing from sometime between 1891 and 1941. The sketched quality and soft toned paper give it an almost dreamlike feel, but there’s also something unfinished about it. What do you make of it? Curator: It’s fascinating to see how Gestel situates these animals within a broader context. He seems to be exploring the pastoral ideal, but also subtly questioning it. Notice the rather simple treatment of the village backdrop— it feels almost like a stage set. To me, the drawing reveals a tension between romanticizing rural life and acknowledging its realities. How do you see the relationship between the animals and the landscape? Editor: I see what you mean about the staged backdrop! I initially viewed it as peaceful, but now I'm not so sure. The horses almost seem like they're penned in, despite being in a "landscape". Maybe it speaks to the changing role of agriculture during that period? Curator: Exactly! And think about the socio-political climate at the time, the shifts in agriculture and industry. Art increasingly reflected anxieties about the encroachment of modernity on traditional ways of life. Does this revised perspective change how you feel about the 'unfinished' quality? Editor: It does. The open-endedness maybe invites us to consider the ongoing evolution of rural landscapes, instead of presenting it as a static scene. Curator: Precisely. By leaving the drawing somewhat open, Gestel allows viewers to participate in interpreting the work's social commentary. Editor: I hadn’t thought about it that way. I was so focused on the immediate visual impression. Curator: Which is a totally valid response! But understanding the socio-historical backdrop provides a richer context. Editor: Thanks, that really helps to unlock some new layers of meaning for me! Curator: And thanks to you as well. I’m walking away with a slightly shifted idea of that “dreamlike” quality, and considering a more dynamic relationship between that dream and reality.

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