Portret van Christoph Christian Sturm by Gottlob August Liebe

Portret van Christoph Christian Sturm 1781 - 1819

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print, engraving

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portrait

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print

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engraving

Dimensions: height 159 mm, width 109 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a print from the late 18th or early 19th century, "Portret van Christoph Christian Sturm," made with engraving by Gottlob August Liebe. It's a striking profile portrait, almost medallion-like. I'm curious, what does this portrait tell you about its subject and the period it was made in? Curator: Portraits like this, particularly those circulated as prints, served a critical function in constructing and disseminating reputations. This engraving, destined for wider distribution than a unique painted portrait, effectively brands Sturm to a particular audience. The style – that neoclassical frame with the ribbon – broadcasts not just status, but refined taste and connection to Enlightenment ideals. Editor: So, the frame is just as important as the figure? Curator: Precisely. Think about the act of circulating this image. Who would have acquired it? What kind of statement would it make on their walls or in their collections? The portrait subtly aligns the owner with Sturm’s world view. The public role of figures such as Sturm depended heavily on visual imagery like this to uphold and expand their influence. Editor: That’s fascinating, I never thought of it as an active promotion. Are there specific visual cues in Sturm himself that play into this? Curator: Note the wig, the careful attention to detail in the engraving—it speaks to the meticulous control over image, reflecting Sturm's desire to project an image of learning and piety. Such engravings aimed for accuracy and authority. These images shape collective memory and participation in constructing reputations that resonated well beyond the subject’s immediate circle. Editor: So, it's not just about remembering Sturm, but about cementing his reputation, which the buyer actively participates in. Curator: Exactly! Editor: That's a really different way to think about portraiture; it reveals so much about cultural values. Curator: Indeed, these portraits offer insights into the public and socio-political importance attached to representing and idealizing figures. They encourage inquiry into cultural meanings of representation and the politics embedded in imagery of reputation.

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