Mnyamwezi Pagazi, Africa, from the Savage and Semi-Barbarous Chiefs and Rulers series (N189) issued by Wm. S. Kimball & Co. 1888

Editor: Here we have "Mnyamwezi Pagazi, Africa" from 1888, a colored pencil drawing and print from the Savage and Semi-Barbarous Chiefs and Rulers series by William S. Kimball & Co. The texture in the subject's hair is so intricate and contrasted by his dark skin and bare shoulders, yet he has an austere and powerful gaze. What do you make of its visual composition? Curator: This work utilizes a stark contrast in values to define form and draw the eye. Note the artist's treatment of light and shadow, which model the figure with precision. How do you feel about the flatness of the patterned headdress versus the modelling on the subject’s bare skin? Does it help in conveying the cultural essence that is sought to be conveyed? Editor: I find it really striking! The flatness almost makes it feel more like a symbolic crown. The print-like texture, repeated so cleanly, gives it such an intentionality in the overall design. Do you see something more at play with how the artist uses that particular color palette and form? Curator: Precisely. Notice the red feather acting as a focal point, drawing the viewer’s eye upward. Semiotically, red often signifies vitality or power. Also consider the smooth gradation from the lighter yellows to richer browns around the sides of the headdress versus the man's dark skin: this creates visual interest, almost rhythm. What could these stark visual signifiers convey? Editor: I see how those simple, strong choices impact the image, playing with visual contrast! Looking at the lines in his face and the shading on his shoulders and headdress... I initially overlooked those subtler touches, and now I see more! Curator: Exactly! These intricate choices offer multiple levels of readings and engagements and demonstrates the complex thought behind it!