Portret van Johannes Goethals 1670

Jan Verkolje the Elder created this portrait of Johannes Goethals using the mezzotint technique. The somber tones and the sitter's modest attire are emblematic of his standing as a man of the church, yet it's the window-like frame that truly captures my attention. This oval frame, seemingly a window to the soul, echoes motifs found in ancient Roman portraiture, where likenesses were often framed by wreaths or architectural elements—symbols of status and remembrance. Yet, it also recalls the Renaissance “tondo,” a circular format used to frame domestic scenes or religious subjects. Note how the window reappears in later Dutch Masters, offering a glimpse into both the sitter’s inner world and the world outside. The psychological weight of this motif is considerable. It evokes a deep sense of introspection and reflection. As such, the window acts as a powerful tool for engaging viewers on a subconscious level, inviting us to contemplate our own place within the frame of existence. This is a symbol that transcends time.