Plate from Les Cantiques Spirituels 1958

Curator: Look at this, would you? It feels like the essence of joyous chaos captured in pigment. Editor: That’s one way to put it! I see primarily a formal tension—an energetic composition, with bold hues vibrating against the stark geometry within. Tell me more? Curator: This is “Plate from Les Cantiques Spirituels,” a mixed media piece, mostly tempera, created in 1958 by Alfred Manessier. What strikes me is how Manessier channels spirituality through complete abstraction, not shying away from explosive color. The painting bursts forth like a hymn. Editor: Interesting you say that. If we consider this composition through a semiotic lens, one could argue that these seemingly random shapes actually evoke something quite primal and almost sacred. Curator: Exactly. I always find it incredible how the artist merges that emotional energy with a profound, almost childlike curiosity. What do you think of his paint handling here? Editor: The mixed media approach allows a complex textural layering. Those dynamic, geometric elements offer us structure, the underpinning order that tames what would otherwise just be a red explosion. It feels less like joyful chaos as you describe it, but carefully-considered construction. Curator: Perhaps… but there is a tension, wouldn’t you say? Almost like faith grappling with doubt, rendered through color and shape? Editor: A tempting interpretation, certainly, especially considering the religious implications suggested in its title. Overall, though, the piece resonates far beyond its themes— it captures something that supersedes narrative. I like that about the painting the most. Curator: And maybe that's precisely the point: to create a work where spirituality doesn’t have to spell itself out, but instead, explodes, inviting anyone who wants to be splashed with the color of faith and abstract ideas. Editor: Well said! This visual score really showcases Manessier's sophisticated yet accessible take on abstraction.