Harlekijn op krukken met jonge vrouw 1739 - 1780

This etching by Francesco Bartolozzi presents a Harlequin on crutches with a young woman. Bartolozzi was working in London when this was made, and his era was one where the legacy of the Enlightenment coexisted uneasily alongside entrenched social hierarchies. Here, the artist renders a scene with the figure of Harlequin, traditionally a comedic character, now portrayed as an injured, almost tragic figure dependent on crutches. The woman, with her open bodice, is possibly a figure of charity, or perhaps someone offering more complex favors. The print subtly challenges prevailing social norms by humanizing a marginalized figure like Harlequin. Bartolozzi invites us to empathize with those on the fringes, prompting reflection on themes of disability, poverty, and social support. The work captures a moment where identities intersect, and where traditional representations are upended. This print serves as both a mirror and a window, reflecting the societal issues of its time and allowing us to contemplate our own responsibilities towards others.