God, that Eisenbach! 1911

Moriz Jung made this lithograph, titled "God, that Eisenbach!" using stones, grease, and crayon. The process of lithography involves drawing directly onto a flat stone surface, then treating it with chemicals so that the image attracts ink while the surrounding areas repel it. The choice of materials deeply influences the final print. The grainy texture of the stone, for instance, gives the image a distinctive, slightly rough quality. This particular lithograph, with its bold lines and caricature-like depiction, is typical of the social commentary popular at the time. The figure's exaggerated features and opulent attire speak volumes about wealth and class, critiquing the bourgeoisie's conspicuous consumption in the face of widespread poverty. The mechanical reproduction of the image also democratizes it, making it available to a wider audience than a unique artwork would be. By considering both the materials used and the image depicted, we gain insight into the social and political climate of the time.