Maria Magdalena terwijl ze liggend een boek leest 1828 - 1873

Christian Julius Gustav Planer made this mezzotint, 'Maria Magdalena terwijl ze liggend een boek leest', using a copper plate. This printmaking technique involves roughening the entire plate with a tool called a rocker, then smoothing areas to create lighter tones. It’s an incredibly labor-intensive process, demanding immense skill and time to achieve such tonal subtlety. The velvety blacks and soft gradations of light are inherent to mezzotint, giving the image a rich, almost tactile quality. Consider the labor involved in creating this image. Not only the physical effort of preparing the plate, but also the intellectual labor of translating a three-dimensional scene into a two-dimensional image, mastering light and shadow. Historically, printmaking allowed for wider dissemination of images, often used for religious or moral instruction. The choice of mezzotint elevates the subject matter, associating it with luxury and refinement. The material and making, therefore, are integral to understanding this artwork, challenging the separation of skill, labor, and artistic expression.