De verloren zoon verkwist zijn geld 1658

This print, made by an anonymous artist, is a copperplate engraving, a process that involves incising lines into a metal plate, inking it, and then pressing it onto paper. The engraver’s skill lies in their ability to translate tones into lines, creating depth and texture. Look closely, and you'll see how the density and direction of these lines define the forms, from the folds of the clothing to the leaves of the trees. Each mark is a result of labor, a testament to the time and effort required to produce such a detailed image. Consider the social context: prints like these were relatively affordable, making art accessible to a wider audience. This allowed for the circulation of moral tales, like that of the prodigal son, connecting viewers through shared narratives. The making of the print itself reflects a shift in how art was produced and consumed, moving away from unique, handcrafted objects towards more reproducible forms. By focusing on the material and process, we gain insight into the cultural values embedded within the artwork, challenging any separation of craft and fine art.