print, engraving
portrait
baroque
figuration
engraving
Dimensions 109 mm (height) x 171 mm (width) (bladmaal)
Jan Harmensz. Muller created this portrait of Joost Sijbrandtsz. Buyck using engraving, a medium that allowed for detailed and reproducible images during the late 16th and early 17th centuries. Muller's portrait situates Buyck, a senator and consul of Amsterdam, within a complex interplay of civic identity and personal dignity. The fur coat and formal attire signal Buyck’s status, reflecting the economic prosperity of the Dutch Golden Age and the power wielded by Amsterdam’s merchant class. The Latin inscription, "Solatur conscientia et finis," or "Conscience is a comfort and an end", hints at the intersection of personal morality and public duty expected of leaders during this period. Consider how Muller's print serves not just as a likeness, but as a statement about Buyck's place within the social and moral fabric of his time. The portrait invites us to reflect on the values and expectations placed upon individuals in positions of power, then and now.
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