Antonio Tempesta created this etching titled "November: vogeljacht en bomen kappen (boogschutter)" around 1600. At first glance, the composition seems to be a landscape, but on closer inspection, the eye moves towards a semiotic interplay of nature and labor, of leisure and necessity. The spatial structure is divided into three planes from foreground to background. Each is filled with human activity, from hunting and gathering to logging and transport. The foreground depicts figures preparing for a hunt, while the background shows laborers cutting trees. These activities are rendered with meticulously detailed lines, creating a tapestry of textures and forms. Tempesta seems to be engaging with the Renaissance interest in capturing the everyday. The print invites us to decode its signs, reflecting how human actions are embedded within a seasonal, natural order. It emphasizes the relationship between humans, labor, and the environment.