Ride Home by Frank Besedick

Ride Home c. 1939

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drawing, print, pencil, charcoal

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portrait

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drawing

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print

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pencil sketch

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charcoal drawing

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figuration

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pencil drawing

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pencil

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portrait drawing

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charcoal

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modernism

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realism

Dimensions: Plate: 159 x 127 mm Sheet: 292 x 201 mm

Copyright: National Gallery of Art: CC0 1.0

Curator: Frank Besedick created this etching, "Ride Home," around 1939. Look at how he uses the stark blacks and whites inherent to the print medium to capture a very specific moment. Editor: My immediate thought is the weariness of the figures. The weight of the day, maybe? Or just… the weight of everything. The mother, or perhaps grandmother, seems stoic, but exhausted. And the child looks completely lost in thought. Curator: It is a compelling contrast isn’t it? Besedick seems particularly interested in exploring social realism, influenced by the art movements of the time and the cultural emphasis on everyday people that grew from the Depression era. We see these portraits that are imbued with almost universal experiences. Editor: You can almost smell the coal smoke and hear the clatter of the train or bus, you know? I mean, it’s not a glamorous depiction of travel; it is raw, intimate, and perhaps deliberately unvarnished. Look how the lines are a bit scratchy; the hat is pulled low… she’s shielding herself from the world. The composition even seems to press them forward, emphasizing their enclosed space. Curator: Yes, and this ties into the historical narrative—how artists during this period redefined heroism, not through idealized grandeur, but in the quiet endurance of ordinary life. These pieces ask us to appreciate and reflect on the resilience of everyday individuals in the face of economic uncertainty and social change. Editor: Exactly! The muted palette highlights that grit. It feels profoundly human, this… capturing of such a transient moment. You see her furrowed brow; the tiny mittened hands… such specific, intimate details suggesting a much broader narrative of working class life. This single image says so much. Curator: Indeed. These observations underline just how powerful a relatively simple print can be, acting not just as a historical document, but as a potent, emotive statement. Editor: Well, I think I will look at my fellow bus passengers with a new level of respect after this. A really lovely meditation on the unseen stories that are all around us.

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