Dimensions: support: 902 x 743 mm frame: 1076 x 922 x 75 mm
Copyright: © Tate | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have Dame Ethel Walker’s oil on canvas, "The Hon. Mrs. Adams," found in the Tate collections. Editor: Oh, she looks a bit formidable, doesn't she? But also, there's a quiet strength in her eyes, like she’s seen a thing or two. Curator: The figure dominates the canvas, doesn't it? We see her indoors, in her domestic space, a cat resting on her lap, perhaps symbolizing domesticity, comfort, the familiar. Editor: Cats are independent, so I wonder if the artist might have been suggesting something about her spirit as well, beyond the expected role. Curator: It is a lovely detail. I'm struck by the lace around her neck and cuffs, the rings on her fingers – these denote status, but also hint at the personal, the intimate. Editor: Yes, and there's a certain softness to the brushstrokes, which is interesting given the subject’s commanding presence. It almost feels like a gentle invitation into her world. Curator: I agree, it's as if Walker is saying, "Here is a woman of substance, seen not just through her social position, but through her own quiet dignity.” Editor: Absolutely, I think it’s a portrait that lingers in your mind, making you wonder about the life behind that gaze.
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Walker was a self-motivated and unusually confident figure on the British scene at the turn-of-the-century. Her range of subject matter was considerable, including landscapes and imaginative decorative compositions, but she was best known for her portraits and still-lifes. The restricted palette that Walker uses here, in what she herself called ‘rather a marvellous portrait’, does not subdue her energetic vision. The sitter - the daughter of the Lord Chief Justice - brims with life. Mrs Adams' animated expression, the free brushwork and enjoyment of paint make this canvas typical of Walker's portraiture. Gallery label, February 2010