Private, Infantry, United States Army, 1813, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Private, Infantry, United States Army, 1813, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888

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drawing, print

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portrait

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drawing

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print

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cartoon sketch

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soldier

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men

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watercolour illustration

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genre-painting

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academic-art

Dimensions Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)

Editor: Here we have "Private, Infantry, United States Army, 1813," a print from 1888 by the Kinney Tobacco Company. It depicts a soldier and seems so precise in its details – almost like a fashion plate, but for military uniforms. What catches your eye when you look at this? Curator: It tickles me, in a way it might not have originally intended! Knowing it was part of a series to promote Sweet Caporal cigarettes, it casts a curious light. I mean, think about it: patriotism, packaged and sold with nicotine. How bizarre is that? This image is less about the realities of military life and more about selling an idea of Americana, neat and consumable. Notice the crispness of the uniform, the erect posture - there’s no mud, no weariness, only a polished image for the masses. What story does it whisper to you? Editor: It makes me wonder how accurate it is. Like, is that really what soldiers looked like back then, or is it more of a…stylized version? Curator: Exactly! These weren’t photo-realistic times, were they? I'd wager the artist had never smelled gunpowder. Accuracy probably took a back seat to aesthetics and, let's be frank, marketing. Think of it as a carefully crafted performance, designed to evoke certain feelings, primarily, perhaps, aspiration! Like “Buy our smokes, become part of this grand narrative!” It’s seductive, wouldn’t you agree? Editor: It is. So, we’re really seeing a double image: the soldier, and the idea of the soldier. Curator: Precisely! And it shows that art can be informative about unexpected aspects of culture, even if those weren’t the artist’s direct intention. Editor: Well, I’ll certainly think differently about cigarette cards from now on! Curator: That’s all one can ask for really, isn’t it? To leave you pondering with a fresh viewpoint.

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